Thinking Out Loud

Does Barry Need a Museum?

First off, I love museums, I do. I grew up going to St Fagans and Cardiff Museum, places like the Big Pit and Caerleon and I take my own kids to museums on holiday, in Cardiff, France, West Wales, London. However, I’m not sure about the financial viability of a museum in Barry. We don’t need a new museum planned by dinosaurs. It’s a tough time for established museums so having a solid model and a viable business plan will be really important. Sustainability and future proofing need to be part of the mix too. It would be a shame if funding for a new museum pulled funding options away from existing volunteer led set ups such as the heritage railway at Barry Island.

I saw mention of the Vale being only one of two councils in Wales without a museum. That’s not necessarily an argument for having one. It smacks a bit of “everyone else has one, why can’t we?”. All mention so far has very much been of a museum for Barry not the Vale as a whole.

Have you been to Carmarthen museum? I’ve been several times over the years, my kids enjoy it and the staff are lovely but it’s a prime example of a council owned building that needs a huge cash injection to stop it rotting away. (The good news is that this year they’ve had £1.27million from the National Lottery Heritage Fund and will be closed for the year while works are carried out.) Closer to home and in the Vale, have people considered the pig’s ear that the Vale made out of Dyffryn Gardens before the National Trust got in there? The damage is still there to see. It’s not simply through neglect but through the lack of the expertise and vast sums of money that such projects require.

Both of the examples above are of old buildings and perhaps the idea for a Barry museum is to house it in an existing modern building or build something bespoke. I’ve read in a B&D article that one option is to put a museum in where the current Arts Central gallery is. So just the one room? What’s the relationship with the library? What happens to the gallery? What happens to the Arts Development budget? What happens to visual arts in Barry? Does anyone remember the historical archive that was open to the public and lived on the top floor of the Memo? I certainly don’t and it’s long gone now. Have lessons been learnt from that?

History is important, heritage is important, culture is important. I believe in us learning more about who we are, where we come from and how it can inform our decisions moving forwards. The concept of a Barry Museum isn’t clear enough for me. A museum isn’t just about putting things in a space and wanting people to think it’s interesting.

Will the museum be partnered with another organisation? Will it build on existing research and networks? Are there any links with HE or FE? How can we future proof a museum? Do we need a museum? Who is it for and what’s it about? There needs to be a real definition of purpose and cause. What difference could it make? Is it diverse? Is it telling stories? Is it about people? Is it look at all of the history of Barry ever or is it concentrating on e.g. the industrial revolution? The M Shed in Bristol does an absolutely cracking job of telling the story of Bristol, the good and the bad, but it’s a huge beast of an operation, it’s part of a city of over half a million people, a population 10 times that of Barry and it’s part of Bristol Museums. Even well established museums have had to diversify their offer to increase income with events such as silent discos and sleepovers.

Is a Barry museum trying to do everything but failing to deliver as an experience? How innovative is it? Are there any interactive exhibitions or displays or projects? Will there be a complementary participative programme, paid for by whom and delivered by whom? Who does the marketing? What’s the budget for that? Will there be volunteers? Who recruits and manages them? Where is it? What’s the parking situation? The public transport? How big is it? Where does the capital funding come from? What’s the scale?

Who curates the museum? There have been some really interesting projects and examples of questioning who makes those decisions, who decides what belongs or doesn’t in a museum. My seven year old and I have been loving the recent BBC series Secrets of the Museum showing the archives, curating, restoration and work that goes into planning and bringing objects to life in a meaningful way at the V&A. Again, I know it’s a completely different scale to a potential Vale of Glamorgan or Barry museum but archiving, preservation, context, storytelling don’t seem to have been referenced in anything I’ve read so far.

I don’t have enough information to give a proper response to the tweets and newspaper articles about a Barry museum. There are too many variables. From the B&D article it sounds like there has already been a feasibility study. What were the results and recommendations? Where can I access the information? Has anyone met with directors of other museums? Is there a network of council run museums? What are the challenges or opportunities of a museum being run by a council? I’d imagine there would be the same frustrations that I see in theatres and arts centres that are managed by a local authority which I won’t go into here but there’s a long list.

In the B&D article there was mention of Barry pre Victorian era industrialisation. That is only part of Barry’s story. Then there’s the Butlins and Gavin and Stacey side of things which focus a lot on the Island but don’t quite encapsulate the rest of the town. I worry that the idea of a museum is maybe something in the minds of people who fill Facebook with “they never should’ve got rid of the Lido” posts that doesn’t quite match up to or even exceed contemporary museum curating, management, delivery, innovation, partnerships, networks, potentials and so on.

I’ve waffled, I know. I’ve asked far too many questions. I’m just hugely concerned about the sustainability of a museum for Barry, that lessons haven’t been learnt from the project that turned out to be a damp squib in the top space in the Memo and that it’s apparently pushing out the gallery. I love museums and I really value the work that they do, I have too many questions and reservations at the moment to get fully behind the concept of a Barry Museum.

(I wrote this before the Coronavirus kicked off.)

A close up of three items hanging in a wardrobe. It's unclear what the items are but two seem to be satiny, one with a Japanese inspired floral pint and the other more of an abstract bird print. The iten in the middle is a sequinned dress with long fringing.
Thinking Out Loud

Fast Fashion Slow Blogging

Back in September I took the 30 day pledge and didn’t buy any new clothes for myself through the whole of the month. Oxfam’s Second Hand September campaign was about addressing fast fashion, reusing, rewearing and recycling rather than sending piles of clothes to landfill. I didn’t actually end up buy any clothes at all, second hand or not, and my main challenge with my own wardrobe is much loved stuff just not fitting anymore.

Why am I only blogging about this now? Two months late is a bit much even by my usual delayed standards. I did an Instagram post about it at the time but was reminded of it by the fabulous exhibition at National Museum Wales in Cardiff that’s been curated by their Youth Forum to run alongside Dippy on Tour, the UK’s most famous diplodocus skeleton cast. It’s in the temporary exhibitions space next to the gift shop until Dippy leaves at the en of January so you’ve got plenty of time to go and have a look. Not only have they curated a collection of items belonging to museum staff but they’ve also created some amazing creatures and scenes out of recycled clothes and bags with a focus on the impact of fast fashion on our precious planet. The dinosaurs didn’t see the end coming but we can do something about our own destruction of Earth. My boys loved the umbrella pterodactyl and I was blown away by the colour, quality and creativity. A big shout out to the lovely volunteer who showed some cool bones and fossils to us.

A display at the museum of a meteor model blasting into shop sale signs reading "Going Going Gone!"
One of the displays at the museum of the impact of fast fashion on our planet.

So back to the whole fast fashion thing. I have been guilty of stocking up in Primark, buying new for a treat but I’m also a big fan of buying second hand gear on eBay, there are some astonishing bargains to be found. I’ve bought from Oxfam’s online shop too (yes, that’s a thing). I’m a hoarder and I’ll rewear my old favourites on repeat. Some going out gear has been downgraded to day wear or work wear. If anything, I need to Konmari the heck out of my clothes. Yes, I still have cocktail dresses from uni (all found in the sales). When do they become vintage?!

Oxfam has shedloads of stats on the environmental impact of fast fashion, the exhibition at the museum is full of little nuggets of knowledge about it all too. I’ve cringed in the past reading some Instagram blurbs from fashion or mum blog influencers who spend obscene amounts of money on clothes under the guise of quality over quantity. I can’t afford to shop beyond the high street and even that’s a bit of a push for things like jeans and bras. What I’ve tried to do is think about versatility and timelessness, whether it sparks joy and fits me properly rather than because it’s the latest thing. I’ve never been into the throwaway bit of throwaway fashion because I can’t bear to part with clothes that I’m sentimental about.

Maybe it’s part of getting older but I don’t care if I’m not dressed like everyone else and I’ll keep on wearing it until it gets holes (and even then, if I really love it I’ll still wear it, who am I trying to kid?).

There were some pretty judgey comments on posts about the 30 day campaign, from people who couldn’t believe it was a struggle to avoid buying new for a month. I can’t afford to buy new every week but if I’m going out out there’s every chance tat I’ll have a trawl through ASOS. I have bought a ew dress this month but it’s not a one off outfit, I know I can use it for weddings or christenings as well as drinks out or a posh meal. I didn’t buy new shoes or bag to go with it, I know it’ll go with what I already have.

Four items of clothes hang. From letf to right: a pair of blue ripped jeans, a chambray long sleeved shirt, a rainbow woollen jumper and aspotty shirt dress.
One of my old Primark hauls. In my defence, these were bought in the summer of 2018 ,
they’re still regulars in my wardrobe and all are still in good condition.

 

Tim Peake's spacesuit and helmet on display at National Museum Cardiff. the light bounces off the top of the glass helmet and the dark background make it look like it's in space.
Places To Go, Things To Do

Tim Peake’s Spacecraft lands in Cardiff

I don’t think I’ve ever felt such a buzz in National Museum Cardiff as we experienced at  Tim Peake’s Spacecraft Family Day last weekend and we go there pretty frequently. It was alive with people of all ages getting excited about space.

Royal Welsh College of Music and Drama held a lunchtime concert featuring the Star Wars theme. Live music accompanied visitors journeying through the Evolution of Wales. Dizzy Pineapple glittered the faces of children at their stall. Cardiff Astronomic Society helped children and grown-ups to use their telescopes and share their passion. Did you know their observatory is in the Vale of Glamorgan’s very own National Trust site Dyffryn Gardens?

The most thrilling part of our whistle stop tour was seeing Tim Peake’s actual real life capsule that he hurtled back to Earth in FROM ACTUAL SPACE complete with genuine scorch marks. Looking like the result of a giant conker, a submarine and a bell merging in a mad science experiment,  the Soyuz capsule is accompanied by its colossal draped parachute.  Tim Peake’s spacesuit is on display too and the whole thing totally grabbed our imaginations. It’s free! You can see this for no pennies. There are space themed activities you can have a go at and you can step into a spacesuit for those essential selfies and boomerangs.

The Soyuz space capsule in whichTim Peake hurtled back to Earth from the ISS. Looking like a cubmarine crossed with a conker, this bell shaped capsule has a small circular window and scorch marks.
Tim Peake’s Soyuz Capsule

We zoomed through on the opening weekend partly because we were going to the Wales v Tonga match that day at the Principality Stadium but also because we have every intention of heading back another time or two to delve deeper into the exhibition and mooch more slowly on a quieter day.

There’s a Virtual Reality experience for teens and up as part of the exhibition which costs £6 per person and is narrated by the main man himself, Tim Peake. This VR adventure takes you on a 250 mile journey from the International Space Station back to Earth in a Soyuz capsule just like the one on display.

The exhibition is in Cardiff until 10th February 2019. It’s part of a national tour presented by Samsung and the Science Museum Group so make space in your diary to see it before it launches elsewhere.

For full details, head to the museum’s website: https://museum.wales/cardiff/whatson/10260/Tim-Peakes-Spacecraft/